Flash fiction forces writers to make every word count, a skill that is useful for longer stories, too. We'll discuess what makes a good flash story, give tips and tricks for writing flash, and suggest markets for finished flash stories. With the possibility of Patreon or Kickstarter rewards, knowing how to write flash can offer a surprisingly low-impact source for income, if you can learn to write it.
Brooke Bolander is a chaos-sowing trickster girl of indeterminate employment, half-tornado, half-writer. Originally from the deepest, darkest, swampiest regions of the southern US, she attended the University of Leicester from 2004 to 2007 studying History and Archaeology and is a... Read More →
Before taking the reigns of ANALOG SCIENCE FICTION & FACT as editor in 2012, Trevor Quachri started off as an editorial assistant in 1999 and worked his way up the ladder at ANALOG and ASIMOV’S SCIENCE FICTION, under Stanley Schmidt, Sheila Williams, and Gardner Dozois, respectively... Read More →
John (@Wiswell) is a disabled writer who lives where New York keeps all its trees. His work has appeared at Uncanny Magazine, Weird Tales, Fireside Magazine, Daily Science Fiction, Pseudopod, Podcastle, and Flash Fiction Online.
